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Charles Laurent, arranged by Alexei Archangelsky
G. Bulanchin [George Balanchine], maître de chorégraphie
Produced by Morris Gest. Scenes conceived and directed by Nikita Balieff. Scenery and costumes by S. Sudeykin [Serge Soudeikine]
January 22, 1929, Balieff’s Chauve-Souris (The Bat Theater of Moscow), Jolson’s Theatre, New York. Conductor: S. Kogan. (Conceived, designed, set, and rehearsed in Paris, probably in Fall 1928.)
Dancers: Mmes Alexandrova, Guerman, Karabanova, Tarassova; Messrs Gorodetsky, Romoff, Tcherniavsky
Performance Type
Concert Works
See Also
Note
Choreography credited to ‘Mr. George Balanchine’ in later programs. See 73, NOTE
Source Notes

Documentation of the 1929 production of Chauve-Souris provided by Claude Conyers

Peter Ilyitch Tschaikovsky, arranged by Alexei Archangelsky
G. Bulanchin [George Balanchine], maître de chorégraphie
Produced by Morris Gest. Scenes conceived and directed by Nikita Balieff. Scenery and costumes by S. Tchekhonin [Sergei Chekhonin]
 January 22, 1929, Balieff’s Chauve-Souris (The Bat Theater of Moscow), Jolson’s Theatre, New York. Conductor: S. Kogan. (Conceived, designed, set, and rehearsed in Paris, probably in Fall 1928.)
Dancers: Mmes Alexandrova, Guerman, Karabanova, Tarassova; Messrs Gorodetsky, Romoff, Tcherniavsky
Performance Type
Concert Works
See Also
Note
Choreography credited to ‘Mr. George Balanchine’ in later programs. See 73, NOTE
Source Notes

Documentation of the 1929 production of Chauve-Souris provided by Claude Conyers

Claude Debussy, arranged by Alexei Archangelsky
G. Bulanchin [George Balanchine], maître de chorégraphie
Produced by Morris Gest. Scenes conceived and directed by Nikita Balieff. Scenery and costumes by G. Annyenkoff [Yuri Annenkov]
January 22, 1929, Balieff’s Chauve-Souris (The Bat Theater of Moscow), Jolson’s Theatre, New York. Conductor: S. Kogan. (Conceived, designed, set, and rehearsed in Paris, probably in Fall 1928.)
Dancers: Mmes Alexandrova, Guerman, Karabanova, Tarassova; Messrs Gorodetsky, Romoff, Tcherniavsky
Performance Type
Concert Works
See Also
Note
Choreography credited to ‘Mr. George Balanchine’ in later programs. See 73, NOTE
Source Notes

Documentation of the 1929 production of Chauve-Souris provided by Claude Conyers

Isaac Albéniz (‘Córdoba’ from Cantos de España, suite for piano, Op. 232, 1896), arranged by Alexei Archangelsky
George Balanchine
Presented by F. Ray Comstock and Morris Guest. Conceived and directed by Nikita Balieff. Scenery and costume uncredited
October 10, 1927, Balieff’s Chauve-Souris (The Bat Theatre of Moscow), Cosmopolitan Theater, New York. Conductor: S. Kogan
Tamara Geva
Performance Type
Concert Works
See Also
Note
Grotesque Espagnol, Sarcasm [74], and Romanesque [74.1] were three of nineteen numbers in the 1927 version of Chauve-Souris, annual productions by Nikita Balieff of evenings of Russian cabaret which toured Europe and America. According to Tamara Geva, Balanchine choreographed the first two–and perhaps the third–before the company departed from Paris for a New York season, where they became the first Balanchine works to be performed in America, and the first Balanchine choreography seen by Lincoln Kirstein. Geva is the only source for this information; there is no choreography credit for any of the numbers.
Source Notes

Tamara Geva, Lincoln Kirstein. Although part of a revue, these pieces were reviewed separately by J[ohn] M[artin] in the New York Times, December 11, 1927. Additional information about the Chauve-Souris productions [73] [74, 74.1] [85.1, 85.2, 85.3] provided by Claude Conyers.

Sergei Prokofiev (Sarcasms, suite for piano, Op. 17, 1912-14), arranged by Alexei Archangelsky
George Balanchine
Presented by F. Ray Comstock and Morris Guest. Conceived and directed by Nikita Balieff. Scenery by Yuri Annenkov. Costume design uncredited
October 10, 1927, Balieff’s Chauve-Souris (The Bat Theatre of Moscow), Cosmopolitan Theater, New York. Conductor: S. Kogan
Tamara Geva
Performance Type
Concert Works
See Also
Note
In Petrograd, Kasian Goleizovsky, whom Balanchine cited as an influence, created a ballet, Sarcasms, to Prokofiev music, probably in the early 1920s. See 73
Source Notes

Tamara Geva, Lincoln Kirstein. Although part of a revue, these pieces were reviewed separately by J[ohn] M[artin] in the New York Times, December 11, 1927. Additional information about the Chauve-Souris productions [73] [74, 74.1] [85.1, 85.2, 85.3] provided by Claude Conyers.

Alexander Glazounov (character mazurka from Raymonda, Act I, 1896), arranged by Alexei Archangelsky
George Balanchine [?], quite possibly with the assistance of Tamara Geva
Presented by F. Ray Comstock and Morris Guest. Conceived and directed by Nikita Balieff. Scenery by Perez Sucre. Costume design uncredited
October 10, 1927, Balieff’s Chauve-Souris (The Bat Theatre of Moscow), Cosmopolitan Theater, New York. Conductor: S. Kogan
Tamara Geva
Performance Type
Concert Works
See Also
Note
Balanchine’s contribution to the choreography, if any, is not clear, since Geva gave conflicting accounts, sometimes crediting the choreography to herself (interviews 1939, 1976, 1980, 1984), sometimes to Balanchine (interviews 1991, 1997).
Source Notes

Tamara Geva, Lincoln Kirstein. Although part of a revue, these pieces were reviewed separately by J[ohn] M[artin] in the New York Times, December 11, 1927. Additional information about the Chauve-Souris productions [73] [74, 74.1] [85.1, 85.2, 85.3] provided by Claude Conyers.