170. Orpheus and Eurydice (Orfeo ed Euridice) 1936
Opera in Two Acts and Four Scenes
Christoph Willibald Gluck (Orfeo ed Euridice, produced 1762, with ballet music from the Paris production of 1774). Libretto by Raniero da Calzabigi
George Balanchine
Stage production conceived by George Balanchine and Pavel Tchelitchew. Scenery and costumes by Pavel Tchelitchew. Scenery painted by Joseph Novak
May 22, 1936, Metropolitan Opera, New York. Danced by American Ballet Ensemble. Conductor: Richard Hageman
SINGERS: Orpheus, Anna Kaskas; Eurydice, Jeanne Pengelly; Amor, Maxine Stellman; and others. DANCERS: Orpheus, Lew Christensen; Eurydice, Daphne Vane; Amor, William Dollar; Shepherds and Nymphs, Furies and Ghosts from Hades, Heroes from Elysium, Followers of Orpheus, corps de ballet.
Act I: SCENE I. At the tomb of Eurydice. SCENE 2. Entrance to Hades.
Act II: SCENE I. The Elysian Fields. SCENE 2. The Gardens of the Temple of Love.
Performance Type
Opera
See Also
Note
An original production staged by Balanchine at the Metropolitan; the singers were invisible in the orchestra pit while the dancers performed the action on stage; atmospheric scenic effects ended with a vast night-sky of stars. The innovative and controversial production was presented only twice. Balanchine reconceived and directed Orpheus and Eurydice for the Hamburgische Staatsoper in 1963; this all-new choreography.was performed in a new production of the Théâtre National de l’Opéra, Paris, in 1973 and the Chicago Lyric Opera in 1975 and forms the basis for the ballet Chaconne [400], first presented by the New York City Ballet in 1976.
Additional Productions
Other Versions
1963, Hamburgische Staatsoper.

Information about later productions provided by Balanchine, Barbara Horgan.