52. Le Chant du Rossignol 1925
(Also called THE SONG OF THE NIGHTINGALE) Ballet in One Act, after Hans Christian Andersen’s Fairy Tale
Igor Stravinsky (symphonic poem for orchestra in three parts, 1917; adapted from his 1913 opera Le Rossignol)
Originally choreographed by Léonide Massine (1920); rechoreographed by George Balanchine
Curtain, scenery, and costumes by Henri Matisse (from the 1920 production)
June 17, 1925, Diaghilev’s Ballets Russes, Théâtre Gaîeté Lyrique, Paris. Conductor: Marc-César Scotto
Nightingale, Alicia Markova; Death, Lydia Sokolova; Emperor, Serge Grigoriev; Mechanical Nightingale, George Balanchine; Japanese Maestro, Nicolas Kremnev; 16 Ladies of the Court; 6 Warriors; 6 Mandarins; 4 Chamberlains
Performance Type
Ballet
Video Archives Recording
George Balanchine Foundation Archive of Lost Choreography
(Nightingale’s solo, excerpts of pas de deux with Death), 1996
Note
Stravinsky prefixed a ballet scenario to the score based on quotations from Andersen, with the following headings:
1. The Fête in the Emperor of China’s Palace;
2. The Two Nightingales;
3. Illness and Recovery of the Emperor of China. Balanchine’s first choreography for performance in the regular seasons of Diaghilev’s Ballets Russes, and his first choreography in the West to music by Stravinsky; in Russia he had choreographed Ragtime [3], and rehearsed Pulcinella [35]. On one occasion, when Markova was ill, Balanchine danced the role of the Nightingale.
Additional Productions
Reconstructions
Les Ballets de Monte Carlo, 2000

1999    Les Ballets de Monte-Carlo
2002   Europa Danse
2006   Kansas City Ballet
2019    Ballet West