Balanchine Catalogue Archive
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410. Le Bourgeois Gentilhomme 1979
- Music
Richard Strauss (concert suite, ca. 1917). Libretto after Molière
- Choreography
George Balanchine and Jerome Robbins. COOKS DANCE by Peter Martins (uncredited). Assistant to the Choreographers: Susan Hendl
- Production
Scenery and costumes designed by Rouben Ter-Arutunian. Costumes executed by Karinska. Lighting by Gilbert Hemsley, Jr.
- Premiere
April 8, 1979, New York City Opera, New York State Theater. Corps de ballet composed of students of the School of American Ballet. Conductor: Cal Stewart Kellogg
- Cast
Lucile, Patricia McBride; M. Jourdain, Jean-Pierre Bonnefous; Cléonte, Rudolf Nureyev;
DIVERTISSEMENT: Darla Hoover, Michael Puleo, six women; Maid; 6 Lackeys; 4 Cooks; 2 Attendants to Cléonte
DIVERTISSEMENT: Darla Hoover, Michael Puleo, six women; Maid; 6 Lackeys; 4 Cooks; 2 Attendants to Cléonte
Performance Type
Ballet
See Also
-
*131. Le Bourgeois Gentilhomme,
221. Le Bourgeois Gentilhomme,
414. Le Bourgeois Gentilhomme
Note
Performed with Henry Purcell’s opera Dido and Aeneas.
Additional Productions
Revisions
1980, New York City Ballet: Although choreography was credited to Balanchine alone, substantial portions of Robbins’s work remained. Several dancing passages for Cléonte removed, replaced by mime passages for Cléonte and Lucile.
Other Versions
1932, Ballets Russes de Monte-Carlo. 1944, Ballet Russe de Monte Carlo.
Stagings
1979 Paris Opera Ballet
1980 Zurich Ballet (Ballett des Opernhauses Zurich)
Source Notes
Rosemary Dunleavy
414. Le Bourgeois Gentilhomme 1980
- Music
Richard Strauss (concert suite, ca. 1917). Libretto after Molière
- Choreography
George Balanchine. Assistant to the Choreographer: Susan Hendl
- Production
Scenery and costumes by Rouben Ter-Arutunian. Lighting by Ronald Bates
- Premiere
May 22, 1980, New York City Ballet, New York State Theater. Conductor: Robert Irving
- Cast
M. Jourdain, Frank Ohman; Cléonte, Peter Martins; Lucille, Suzanne Farrell;
DIVERTISSEMENT: Heather Watts, Victor Castelli; 6 women; Maid; 6 Lackeys; 4 Cooks; 2 Assistants to Cléonte
DIVERTISSEMENT: Heather Watts, Victor Castelli; 6 women; Maid; 6 Lackeys; 4 Cooks; 2 Assistants to Cléonte
Performance Type
Ballet
See Also
-
*131. Le Bourgeois Gentilhomme,
221. Le Bourgeois Gentilhomme,
*410. Le Bourgeois Gentilhomme
Note
Originally presented by the New York City Opera, 1979. The 1980 production used the same sets and costumes, with the choreography for Cléonte substantially revised.
Additional Productions
Other Versions
1932, Ballets Russes de Monte-Carlo.
1944, Ballet Russe de Monte Carlo.
1944, Ballet Russe de Monte Carlo.
Source Notes
Susan Hendl
131. Le Bourgeois Gentilhomme 1932
- Music
Richard Strauss (concert suite, ca. 1917). Book by Sobeka [Boris Kochno] after Molière
- Choreography
George Balanchine
- Production
Curtain, scenery, and costumes by Alexandre Benois. Curtain executed by Georges Geerts; scenery executed by Prince A. Schervashidze; costumes executed by Karinska, Paris
- Premiere
May 3, 1932, Ballets Russes de Monte-Carlo, Opéra de Monte-Carlo. Conductor: Paul Paray
- Cast
Cléonte, David Lichine; Covielle, His Valet, Jasht Dolotine; Two Gypsy Tailors; Monsieur Jourdain, le Bourgeois Gentilhomme, Marian Ladré; His Retinue, 4 women, 2 men; Cléonte’s Friends Disguised as Slaves, 4 men; Lucille, Tamara Toumanova; Nicole, Her Servant, Eleanora Marra;
BALLET GIVEN BY M. JOURDAIN IN HONOR OF THE SON OF THE GRAND TURK: Valentina Blinova, 6 women;
TURKISH DIVERTISSEMENT: I. Olga Morosova, Yurek Shabelevsky, Léonide Katchourovsky; II. Natalie Strakhova, Metek [Mezeslav] Borovsky; III. Acrobats, Roman Jasinsky, 3 women.
BALLET GIVEN BY M. JOURDAIN IN HONOR OF THE SON OF THE GRAND TURK: Valentina Blinova, 6 women;
TURKISH DIVERTISSEMENT: I. Olga Morosova, Yurek Shabelevsky, Léonide Katchourovsky; II. Natalie Strakhova, Metek [Mezeslav] Borovsky; III. Acrobats, Roman Jasinsky, 3 women.
Performance Type
Ballet
See Also
-
221. Le Bourgeois Gentilhomme,
*410. Le Bourgeois Gentilhomme,
414. Le Bourgeois Gentilhomme
Note
1.Cléonte disguises himself as the son of the Grand Turk. 2.Cléonte enters the house of Monsieur Jourdain. 3. Dance of Cléonte and his friends disguised as slaves. 4. Ballet given by Monsieur Jourdain in honor of the son of the Grand Turk. 5. Entrance of Lucille, accompanied by her servant Nicole. 6. Turkish ceremony to ennoble Monsieur Jourdain. 7. Turkish Divertissement. 8. Lucille, not recognizing Cléonte, attempts to flee. 9. Betrothal of Lucille to Cléonte, who removes his disguise.
Additional Productions
Other Versions
1944, Ballet Russe de Monte Carlo.
1979, New York City Opera. According to Balanchine, each of the three versions was completely different.
(In 1980, a revision of the New York City Opera production entered the repertory of the New York City Ballet.)
1979, New York City Opera. According to Balanchine, each of the three versions was completely different.
(In 1980, a revision of the New York City Opera production entered the repertory of the New York City Ballet.)
Recorded Performances
Videos/DVD
2005, Zeitgeist Films, Ballets Russes (excerpt)
Source Notes
Note corroborated by Balanchine
