Cat 364 Archives | The George Balanchine Foundation

Balanchine Catalogue Archive

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Léo Delibes (Coppélia, ou la Fille aux Yeux d’Émail, produced 1870, with excerpts from Sylvia, ou la Nymphe de Diane, produced 1876, and La Source [Naïla], 1866). Book by Charles Nuitter, after E. T. A. Hoffmann’s Der Sandmann (1815)

Choreography by Alexandra Danilova and George Balanchine after Marius Petipa (1884; revised 1894 by Lev Ivanov and Enrico Cecchetti), with additional choreography by George Balanchine

Scenery and costumes by Rouben Ter-Arutunian. Costumes executed by Karinska and Barbara Matera, Ltd. Lighting by Ronald Bates

July 17, 1974, New York City Ballet, Saratoga Performing Arts Center, Saratoga Springs, New York. Conductor: Robert Irving. (First New York State Theater performance, with children from the School of American Ballet, November 20.)

Swanilda/Coppélia, Patricia McBride; Frantz, Helgi Tomasson; Dr. Coppélius, Shaun O’Brien.
ACT I: The Doll Coppélia; Villagers, 8 couples; Mayor, Michael Arshansky; Swanilda’s Friends, 8 women.
ACT II: Swanilda and Her Friends; The Automatons: Astrologer, Juggler, Acrobat, Chinaman.
ACT III: Burgomaster; Villagers, Brides, Grooms, and Friends, 8 women, 6 men;
DEDICATION OF THE BELLS: WALTZ OF THE GOLDEN HOURS: Marnee Morris, 24 children; Dawn, Merrill Ashley; Prayer, Christine Redpath; Spinner, Susan Hendl; Jesterettes, 4 women;
DISCORD AND WAR: Colleen Neary, Robert Weiss, 8 couples;
PEACE (pas de deux): McBride, Tomasson;
FINALE
Act I. A Village Square in Galicia
Act II. Dr. Coppélius’s Secret Workshop
Act III. A Village Wedding and Festival of Bells

Performance Type

Ballet

See Also

Note

Balanchine and Danilova collaborated to reproduce parts of Petipa’s choreography for Coppélia, which they had learned while students at the Imperial Ballet School; Danilova had later become a leading interpreter of the role of Swanilda. Balanchine created entirely new choreography for Act III, and for the mazurka and czardas in Act I, and made slight revisions in other dances in Act I. Using music from Sylvia, Balanchine created a male variation for Act I and a complete pas de deux for Act III, in which the male variation is taken from his Sylvia: Pas de Deux [273]. The production was partially commissioned by the Saratoga Performing Arts Center.

Additional Productions

Revisions

1974, New York City Ballet: Act III costumes altered before first New York performance and new children’s costumes designed by Karinska; coda added to Act III PEACE pas de deux.

Stagings

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1977   Geneva Ballet (Grand Theatre de Geneve [Ballet])
2010   Boston Ballet
2010   Pacific Northwest Ballet
2011   Dresden SemperOper Ballett
2011   San Francisco Ballet
2016   Pacific Northwest Ballet
2019   Boston Ballet

Recorded Performances

Television

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1978 (PBS, Live from Lincoln Center)

Source Notes

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Additional music information provided by Gordon Boelzner, Robert Irving; additional revisions information provided by Betty Cage, Arlene Croce, Nancy Goldner

Léo Delibes (excerpts from La Source [Naïla], 1866, and Sylvia, ou la Nymphe de Diane, 1876)

George Balanchine. Staged by Frederic Franklin

Costumes by Karinska. Lighting by David Hays

January 14, 1965, New York City Ballet, New York State Theater. Conductor: Robert Irving

VALSE LENTE AND PAS DE DEUX: Melissa Hayden, André Prokovsky;
ALLEGRO VIVACE: Suki Schorer, 8 women;
VARIATION: Prokovsky;
PIZZICATI: Hayden;
VALSE DES FLEURS: Entire cast

Performance Type

Ballet

See Also

Note

VALSE LENTE AND PAS DE DEUX was originally choreographed for the New York City Ballet in 1950, titled Sylvia: Pas de Deux [273]. In 1969, the ALLEGRO VIVACE and VALSE DES FLEURS were incorporated into La Source [364], choreographed for the New York City Ballet.

Source Notes

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Structure of ballet and its relationship to Sylvia: Pas de Deux [273] and La Source [364] clarified by Arlene Croce, Melissa Hayden, Suki Schorer, Jacques d’Amboise

NUMBERS IV, VI, VII, VIII, IX, XI, XII

As given below

George Balanchine (eight of thirteen dances), Todd Bolender, Frank Hobi, and Francisco Moncion

Presented by the National Orchestral Society, Leon Barzin, Musical Director. Artistic Director: George Balanchine. Lighting Director: Jean Rosenthal

February 10, 1951, Carnegie Hall, New York. Danced by members of the New York City Ballet and students of the School of American Ballet. Conductor: Leon Barzin

IV. SARABANDE from Louis XIV Suite (François Couperin, orchestrated by Wood-Hill): 4 women;
VI. MINUET from Symphony No. 39, K. 543 (Wolfgang Amadeus Mozart): Doris Breckenridge, Robert Barnett;
VII. GAVOTTE from Ladies of the Ballet (Alfred Edward Moffat): 2 couples;
VIII. BOURRÉE from Concerto for String Orchestra (Jean-Baptiste Lully): 2 couples;
IX. RIGAUDON from the Lully Concerto: 4 couples;
XI. WALTZ from Naïla (La Source, Léo Delibes): Maria Tallchief, 11 women;
XII. TANGO from Le Carnaval d’Aix (Darius Milhaud): Tanaquil Le Clercq

Performance Type

Concert Works